{"id":467,"date":"2009-09-04T06:20:00","date_gmt":"2009-09-04T06:20:00","guid":{"rendered":"https:\/\/fatp.fr\/?p=467"},"modified":"2024-09-04T06:28:55","modified_gmt":"2024-09-04T06:28:55","slug":"le-bruit-des-os-qui-craquent","status":"publish","type":"post","link":"https:\/\/fatp.fr\/index.php\/2009\/09\/04\/le-bruit-des-os-qui-craquent\/","title":{"rendered":"LE BRUIT DES OS QUI CRAQUENT"},"content":{"rendered":"

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LE BRUIT DES OS QUI CRAQUENT<\/h2>\n

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Compagnie Le Carrousel<\/h3>\n

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Autrice\u00a0: <\/strong>Suzanne Lebeau<\/p>\n

Mise en sc\u00e8ne\u00a0<\/strong>: Gervais Gaudreault<\/p>\n

Distribution : <\/strong>\u00c9milie Dionne, S\u00e9bastien Ren\u00e9, Lise Roy<\/p>\n

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Th\u00e9\u00e2tre<\/strong><\/p>\n

Elikia est une enfant parmi tant d\u2019autres qui a vu sa vie basculer du jour au lendemain dans une guerre civile chaotique et sans lois. La petite enlev\u00e9e \u00e0 sa famille devient enfant soldat.
Victime, elle est aussi bourreau dans une situation intenable qui brouille les lois les plus \u00e9l\u00e9mentaires de l\u2019\u00e9thique. Comment grandir et rester humain quand les rep\u00e8res s\u2019effacent devant une brutalit\u00e9 quotidienne sans espoir?
C\u2019est le petit Joseph, le plus jeune enfant \u00e0 parvenir au camp de rebelles, qui lui rappelle son enfance, sa famille, son village, son humanit\u00e9 et qui lui donne le courage de briser la cha\u00eene de violence dans laquelle elle a \u00e9t\u00e9 entra\u00een\u00e9e.
Le bruit des os qui craquent est un texte \u00e0 deux voix. Si Joseph et Elikia vivent la fuite, les doutes, les peurs et le retour \u00e0 une vie civile civilis\u00e9e o\u00f9 les enfants peuvent grandir comme des enfants, Angelina, l\u2019infirmi\u00e8re qui les re\u00e7oit \u00e0 l\u2019h\u00f4pital o\u00f9 ils se r\u00e9fugient, met en perspective cette r\u00e9alit\u00e9 douloureuse et ouvre la fen\u00eatre sur une lumi\u00e8re incertaine, mais lumi\u00e8re tout de m\u00eame\u2026<\/p>\n

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2008 – 2009
\nde Suzanne Lebeau – Compagnie Le Carrousel<\/p>\n","protected":false},"author":1,"featured_media":468,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[9],"tags":[],"class_list":["post-467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coproductions"],"_links":{"self":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts\/467","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/comments?post=467"}],"version-history":[{"count":4,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts\/467\/revisions"}],"predecessor-version":[{"id":479,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts\/467\/revisions\/479"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/media\/468"}],"wp:attachment":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/media?parent=467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/categories?post=467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/tags?post=467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}