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Mise en sc\u00e8ne<\/strong> : Guillaume Doucet<\/span><\/p>\n Jeu<\/strong> : Philippe Bodet, Ga\u00eblle H\u00e9raut, B\u00e9rang\u00e8re Notta, Chlo\u00e9 Vivar\u00e8s<\/span><\/p>\n Cr\u00e9ation et r\u00e9gie son<\/strong> : Maxime Poubanne<\/span><\/p>\n Cr\u00e9ation lumi\u00e8re<\/strong> : Nolwenn Delcamp-Risse <\/span><\/p>\n R\u00e9gie lumi\u00e8re<\/strong> : Adeline Mazaud<\/span><\/p>\n Costumes<\/strong> : Anna Le Reun<\/span><\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.20.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb text_orientation=\u00a0\u00bbjustified\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n En 1612 en Italie, le c\u00e9l\u00e8bre peintre Agostino Tassi est accus\u00e9 du viol de la jeune artiste Artemisia Gentileschi, \u00e0 qui il enseignait la perspective.<\/span> [\/et_pb_text][et_pb_button button_url=\u00a0\u00bbhttps:\/\/legroupevertigo.net\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb button_text=\u00a0\u00bbVisiter le site de la Compagnie\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_button=\u00a0\u00bbon\u00a0\u00bb button_text_size=\u00a0\u00bb16px\u00a0\u00bb button_text_color=\u00a0\u00bb#F57F11″ button_text_size_tablet=\u00a0\u00bb14px\u00a0\u00bb button_text_size_phone=\u00a0\u00bb14px\u00a0\u00bb button_text_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.20.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/fatp.fr\/wp-content\/uploads\/2023\/06\/artemisia_500-500.jpg\u00a0\u00bb title_text=\u00a0\u00bbartemisia_500-500″ _builder_version=\u00a0\u00bb4.20.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" 2021 – 2022<\/p>\n de Guillaume Doucet, mise en sc\u00e8ne de l\u2019auteur -Cie Groupe Vertigo<\/p>\n","protected":false},"author":1,"featured_media":205,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[9],"tags":[],"class_list":["post-204","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coproductions"],"_links":{"self":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts\/204","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/comments?post=204"}],"version-history":[{"count":7,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts\/204\/revisions"}],"predecessor-version":[{"id":513,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/posts\/204\/revisions\/513"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/media\/205"}],"wp:attachment":[{"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/media?parent=204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/categories?post=204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fatp.fr\/index.php\/wp-json\/wp\/v2\/tags?post=204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Quatre si\u00e8cles plus tard, cette pi\u00e8ce remet en sc\u00e8ne le proc\u00e8s tr\u00e9pidant qui a agit\u00e9 pendant neuf mois la Rome de la Renaissance. Elle convoque l\u2019\u0153uvre puissante et visc\u00e9rale d\u2019Artemisia Gentileschi peinte en r\u00e9action. Et elle r\u00e9v\u00e8le des enjeux qui r\u00e9sonnent singuli\u00e8rement avec notre actualit\u00e9 et les suites du mouvement #metoo.<\/span>
A partir des transcriptions du proc\u00e8s ayant surv\u00e9cu et d\u2019\u00e9criture de plateau, le groupe vertigo s\u2019empare avec un humour f\u00e9roce de cette affaire hors norme.<\/span>
La pi\u00e8ce m\u00eale reconstitution, mythe et regard contemporain, pour raconter l\u2019histoire d\u2019une femme qui s\u2019est d\u00e9fendue et a pris sa revanche \u00e0 travers son art, avant de devenir une des plus grandes peintres de son temps.<\/span><\/p>\n